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AMERICAN THEATRE | Individuals to Watch: Whitney White and Kecia Lewis

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Whitney White

The busy director (Jaja’s African Hair Braiding, On Sugarland) additionally has an authentic play, By the Queen—a recent tackle Queen Margaret and the Fifteenth-century CoNFLict of the Roses—up at Hudson Valley Shakespeare Pageant June 15-Aug. 31.

First theatrical reminiscence?

My mom took me to see a Cirque du Soleil present in Chicago referred to as Quidam after I was very, very younger. I’ll always remember what it felt wish to be transported into that world. I didn’t even really feel like I used to be in actuality. I really feel like I’ve been chasing that ever since.

Final memorable theatrical expertise?

An Enemy of the Individuals, Amy Herzog’s adaptation. That play is such a quintessential have a look at the tragedy of the commons, and that staging was so effectively suited to the ears of at the moment. It jogged my memory that theatre has the facility to speak concepts that persist with you.

What are you studying?

“Discourse on Colonialism,” an essay by Aimé Césaire. It was first revealed in 1950, and the best way that he’s taking a look at survival and labor, it reads prefer it was written now. It’s a fairly loud cry for systemic change. It’s pairing with all of my work rather well.

What music are you listening to?

My favourite query. I’m listening to some Khruangbin—I hate to sound like an growing older millennial, nevertheless it chills me out. I’m additionally listening to this DJ I really like named Andy Stott, whose stuff is industrial, digital.

The place is house to you?

I’m very a lot a Midwestern woman; I grew up in Chicago, and my household’s there. However New York is de facto my house now, as a result of it’s the place I’ve had the great fortune of constructing my artwork. Every single day right here I see one thing that fills me with hope and one thing that makes me need to preserve making theatre.

What’s your best concern?

Taking issues as a right. Each myself and different persons are all so lucky, and it goes so quick. I’m at all times afraid that I’m lacking one thing or not having fun with one thing to the fullest.

Whitney White in an earlier Shakespeare-inspired play, “Macbeth in Stride,” at American Repertory Theater in 2021. (Picture by Lauren Miller)

What provides you hope?

Individuals. I’m a type of individuals individuals. You already know what I imply? I like being among the many individuals. I like making theatre. I like going to live shows. I like speaking to strangers. I like completely satisfied accidents. Individuals restore my religion and hope in all the things.

For those who might give your youthful self one piece of recommendation, what would it not be?

You already know what? That query is the entire purpose I wrote By the Queen. Severely, I preserve asking myself: If I might be in a room with my youthful self and my future self, what would I say to these ladies in order that they might preserve going? I’m nonetheless looking for that reply.

What’s your favourite place you’ve visited?

I’ve two solutions. Athens, Greece—to not sound like a tacky theatre individual, however I did really feel it after I was there—like, that is the beginning of Western theatre. I used to be completely hypnotized. And Philadelphia. There’s artwork in all places, and there’s a bunch of Black males that trip horses across the metropolis. Philadelphia for me was such a mash-up of what cities might be.

It’s not theatre until…

You’re feeling one thing. Theatre is just not an mental train for me. Theatre that feels prefer it’s attempting to be smarter than all people is difficult for me. However everybody is aware of what it’s like to like.


Kecia Lewis

The Broadway veteran and powerhouse vocalist whose credit embody Mom Braveness, The Drowsy Chaperone, and As soon as on This Island is again onstage within the new Alicia Keys musical Hell’s Kitchen, for which Lewis is nominated for a Tony.

First theatrical reminiscence?

Being instructed that I used to be solid in Dreamgirls proper after I auditioned for Michael Bennett and Michael Peters in June 1984. They have been searching for the one that would understudy Effie within the firm. I used to be 18 years previous.

Final memorable theatrical expertise?

Marie and Rosetta at Atlantic Theater in 2016. I received an Obie Award. It was a two-hander with myself and Rebecca Naomi Jones. It was satisfying on each degree as a lady and a performer. I didn’t develop up listening to Sister Rosetta Tharpe, however as I obtained older, I turned aware of her music.

Favourite place you’ve visited?

Most just lately, Cozumel, Mexico. I went on a cruise simply earlier than we began rehearsals for Hell’s Kitchen, and it was truly the place I did the least. I simply walked across the city, loved the individuals, outlets, climate, and vibes. I made a psychological word that I need to return and keep for every week.

The place is house to you?

House to me is my relationship with God. It’s the middle for me. It’s the middle of my peace, my work, and my psychological well being.

Kecia Lewis and Maleah Joi Moon in “Hell’s Kitchen” on Broadway. (Picture by Marc J. Franklin)

What’s your best concern?

That my son received’t be capable of cohesively and holistically take pleasure in his life due to the state of the world.

What provides you hope?

Youthful generations of individuals with old-school mindsets about life and what’s essential.

What music are you listening to?

I hearken to plenty of gospel and plenty of prayer and soaking music. I hearken to that greater than something. I believe my mind is drained from phrases, phrases, phrases.

When one thing cool occurs, who’s the primary individual you name?

My aunt or my son.

For those who might give your youthful self one piece of recommendation, what would it not be?

Take heed to your intestine. It hardly ever steers you fallacious.

What trainer or mentor has formed your journey probably the most?

Anthony Abeson. He was my highschool performing trainer who I gleaned probably the most from. I truly coached with him for Hell’s Kitchen. He’s nearly 80 and nonetheless teaching through Zoom.

For those who didn’t work within the theatre, what would you be doing?

I’d be an lawyer. I despise injustice.

For those who might change one factor in regards to the theatre, what would it not be?

I might change its concern of telling new tales and unfamiliar tales to the powers that be. If one thing is unfamiliar, it’s an instantaneous no, and that’s irritating.

What’s subsequent for you?

Of the objectives I set for myself as a younger actress, I’ve one which I nonetheless attain for: to be a sequence common on successful TV present that’s saying one thing essential on the earth.

It’s not theatre until…

It’s actual.

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